I am drawn to materials that already carry a history. Found objects, discarded surfaces, everyday things not bought for their beauty or expense, these are my palette. What interests me is not the material itself, but what it can become in service of an idea. How does this thing, with all its prior life, transform the message? How does it shape what the eye receives?

This is how I understand the difference between art and craft. Craft is the mastery of technique , learning to do something with skill and precision. Art is a different pursuit. It is the willingness to question the very standards by which we judge aesthetics and meaning, using whatever means are necessary to get there.

Like Rauschenberg, I believe that the gap between art and everyday life is a place worth working in. My practice moves across painting, sculpture, and whatever form a given idea demands. The materials change. The themes drive everything. And while my work may appear inconsistent across phases, that restlessness is itself the constant, and a refusal to settle for the predictable

Download “The Consistency of InconsistEncy” HERE